Join us for From Cloth to Code, a panel discussion that explores how textile traditions are translated, transformed, and reimagined through digital media and industrial material manipulation. Bringing together artists Roda Medhat and Shaheer Zazai, and moderated by Ignazio Colt Nicastro, the conversation threads through three exhibitions across the GTHA, each examining how fibre-based practices shift when rendered through new technological forms.
Co-presented by the Art Gallery of Burlington (AGB), Art Gallery of Mississauga (AGM), and the Textile Museum of Canada (TMC), the program extends themes from Nicastro’s TMC exhibition From Cloth to Code, which paired historical collection works with contemporary digital responses in celebration of the Museum’s 50th anniversary. From digitally rendered garments that reinterpret narratives embedded in historical fabrics to immersive environments that elevate everyday objects, these exhibitions expand the dialogue around the impact of permanent collections, craft legacies, and evolving material cultures.
At the AGB, Roda Medhat’s exhibition Things I Can Fold, Deflate, and Break reflects the Gallery’s commitment to artists whose practices grow from craft’s tactile histories while embracing transdisciplinary experimentation. Shaheer Zazai’s immersive installation at the AGM, A Petal for a Petal, A Deed for a Deed—The Garden We Could Have Been, reimagines the traditional floral motifs of Afghan carpets as a series of monumental, darkly radiant blooms that have emerged from the aftermath of human destruction.
Across these projects, glitch aesthetics, pulsing LED interfaces, and even the equations of Microsoft Excel and Word become pliant as artists remove the expected utility of materials to expose new agencies, textures, and meanings.
This panel invites audiences to consider how textiles move across physical and digital realms, and how contemporary artists continue to stretch the boundaries of craft, functionality, and memory.